Apr 27, 2011

CUCKOO'S TOP 10 SCORES OF 2010

Better late than never. In my defense, some of professional and respected score reviewers just posted their lists in the past few weeks.

Without further ado:

10. CLINT MANSELL (and Pyotr Tchaikovsky) / BLACK SWAN


A fascinating mixture of Tchaikovsky's Swan Lake masterpiece stirred into Clint Mansell's distorted and unsettling sonic manipulations.
Not for everyone but without a doubt one of the most innovative and ballsy scores to be produced in a long time.


9. THEODORE SHAPIRO / DINNER FOR SCHMUCKS


A quirky little gem that is both off-kilter waltzes and Beatles-esque intimacy. It never fails to bring a smile to my face with it's humor and warmth. Shapiro's nailed the comedy genre with his resume of quality scores in the genre.

8. ALEXANDRE DESPLAT / THE GHOST WRITER


Desplat turns on the Herrmann-esque scoring for this twist-filled thriller. Frantic and nerve-wracking at times, Desplat's The Ghost Writer digs deep into a paranoid world that leaves the listener very unsettled.

7. HANS ZIMMER, BLAKE NEELY & GEOFF ZANELLI / THE PACIFIC


A grim and emotionally heavy score that layers on the tonal textures and sonic wallpapers with a subtle grace that never takes the listener out of the era and the world displayed on screen.
While it may not stand up against Michael Kamen's Band Of Brothers masterpiece it certainly gives it a run for it's money.


6. ARMAND AMAR / AO: LE DERNIER NEANDERTRAL


French-Israeli-Moroccan composer Armand Amar borrows from cultures all over the world to produce a powerful dramatic score for the "caveman" film, AO.
With the difficult task of having to compose music for a film with virtually no dialogue, while having to remain in the background yet push the emotions forward, Amar excels in this.

5. OSCAR ARAUJO / CASTLEVANIA: LORDS OF SHADOW


Relatively unknown Spanish composer Oscar Araujo reinvents the Castlevania scores with a choir heavy gothic orchestral score that is simply astounding.
Araujo sets the bar on video game scoring genre a whole lot higher, rivaling Giacchino's Medal Of Honor and John Debney's Lair scores.

4. ARNAU BATALLER / LA HERENCIA VALDERMAR


Another heavy hitter in the "Iberian Revolution" in film scoring, Arnau Bataller sweeps me off my feet with the gothic choral masterpiece. It stands along side Chris Young's best work for horror scoring. A true gem buried underneath a truly horrible film.

3. GARRY SCHYMANN / BIOSHOCK 2


A divine mixture of tonal ambient terror and stark beauty, Garry Schymann steps it up a notch with his second score in the BioShock video game series.
It's a chilling and haunting score that lingers with you long after it's done playing.

2. JOHN POWELL / HOW TO TRAIN YOUR DRAGON


John Powell's perfect score is the best of his entire career. A smooth blend of thematic progression and exciting action pieces, Dragon is perfect coming from all angles.
It will be difficult to top this one...but I suspect he has it in him.

1. NAOKI SATO (& Yasushi Miyagawa) / SPACE BATTLESHIP YAMATO


This score came out of nowhere and knocked me off my feet.
Naoki Sato's "western" action score is simply breathtaking. Throwing in orchestated variations of Hiroshi Miyagawa's original themes with some of his makes for one of 2010's most pleasant surprises.

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